I'm delighted to have been interviewed by the lovely and prolific fellow author and editor Christina Boyd of The Quill Ink, a wonderful site whose blog is packed with advice and insights for authors, and much more.
Enjoy!
I'm delighted to have been interviewed by the lovely and prolific fellow author and editor Christina Boyd of The Quill Ink, a wonderful site whose blog is packed with advice and insights for authors, and much more.
Enjoy!
Not sure what/whom exactly you're looking for?
Shoot me an email and ask for my free, one-hour initial consultation (audio or video), including feedback on your sample pages.
It's a great opportunity for us to get to know each other and see if we are a good match, as well as a chance for you to gain awareness of how to capitalize on the strengths of your work and address its challenges. Read More
I know what you might be thinking. Give me one good reason why I shouldn't hate the idea of writing a book proposal. I'LL GIVE YOU THREE GOOD REASONS.
1. A good proposal serves as a blueprint for a compelling and coherent book that is unique in the marketplace and serves the needs of your target readers. Isn't it better to have that blueprint before you start than risk the chance of having to tear down what you've built and start from scratch because you didn't research the market or refine your idea?
2. The process of researching and writing your proposal can get you all fired up about how great your book is. If it's having the opposite effect, then it can inspire you to re-think your concept and come up with an idea that really keeps you fired up for the long haul.
3. It serves as the foundation from which you will eventually publicize your book when it gets published. By the time you've perfected your proposal, you've become such an expert on how this book touches a chord with the public that you are able to succinctly and brilliantly express your conviction to other people.
Many writers of nonfiction books who are experts in their fields are not necessarily experts in explaining why people should want to read their book. Often we are so close to the work that we can't express ourselves clearly in terms that the sales department of the publishing house can repeat to the bookstores.
But after having worked on a good book proposal, you the author will be an expert in explaining why the public should buy your book and what they will gain from it.
So, now you know why it's good for you. But let's say you still feel less than enthusiastic, or intimidated, or overwhelmed. I'm going to show you how to break through those blocks with a powerful exercise.